Jasper Sharp : 2011 : March

Currently browsing March 2011:

Well, the threat of a nuclear meltdown seems to have subsided at least, or rather, the Western media seem to have lost interest in that side of the story, which now feels a little like a convenient distraction for the Western powers to start dropping bombs again on another Arab oil-producing country. Regardless of the wrongs and rights of the Libyan situation, the message is coming through loud and clear: Japan is yesterday’s news, just like Egypt and Tunisia were a couple of weeks before. As the global media focus moves on however, I really hope this doesn’t give the impression that things are all back to normal again, or stop people from giving to the various charities established to help the victims (such as the Japan Society Tohoku Earthquake Relief Fund here in the UK).

Still, in some respects, aside from keeping the victims of this tragedy in the global public’s eye, one has to wonder how useful much of the Western media coverage of the Japanese situation was. There’s been an ongoing discussion on the Kinejapan mailing list over the past few days about both the shortcomings and the scaremongering in the global media since the Fukushima problem began. To give one example, on 16 March The Sun newspaper published a story under the lurid headline “Japan nuclear cloud terror”. A mere two days the former editor of this loathsome tabloid, Kelvin Mackenzie, lambasted Green Party MP Caroline Lucas on BBC1’s Question Time programme, declaring that nuclear power was 100% safe and only a propagandist for the environmental movement would have you believe otherwise. Oh the irony…

That’s not to say the other papers are faultless, of course. Take a look at this front cover from last week from The Daily Mail, a paper targeted squarely at the reactionary moron market.

The Daily Mail, as reliably crass as ever

One expects little more from The Daily Mail or The Sun, of course, but has the BBC been much better? To be honest, I think the BBC possibly handled things in a slightly more sober manner than most other news outlets from other countries, but just one important thing – if Japan is the third biggest economy in the world, as we have been so regularly reminded over the past week or so (and the second biggest until it was ecliped by China last year), then why haven’t the BBC got at least one correspondent in the county WHO CAN SPEAK JAPANESE!? It was enough that even the two syllable city name of Sendai was subjected to continuous mispronunciations (I’ll gloss over the hash they made of Minamisanriki…), but the repeated inconsistency in the name orders of their interviewees (again, mispronounced) merely served to demonstrate that most of their reporters were passing on secondhand information at best.

Well, that would be all well and good, if the facts weren’t occasionally so wildly inaccurate one wondered whether said journalists were merely plundering back issues of The Sun for their info. The biggest gaff I witnessed, and I would have sworn I’d misheard it were it not for someone else on Kinejapan raising it, came from one correspondent in Shinagawa interviewing a number of foreign residents who were queuing to get their re-entry visas before they left Japan, who introduced an interview with a Chinese girl by asserting that “more than half of the workers in Japanese factories are Chinese.” Please, if you can’t get your facts straight, then don’t report them, because there are so many people in this country who have visited Japan, have spent time there as English teachers or whatever, or who have Japanese friends, that it is quite evident when the various news agencies are hideously out of their depth.

Required reading for all BBC reporters!

None of this is new of course. I’ll just draw your attention to a particularly interesting book that occupies a privileged place in my shelves, despite being long out of print (although you can currently pick up used copies pretty cheaply), Cultural Difference, Media Memories: Anglo-American Images of Japan, which highlights some of the bizarre orientalist thinking that still permeates the Western media. Perhaps someone at the BBC should read it, as Japan might possibly be in the news for a while yet. Of course, in this 24-hour rolling news culture, Japan is not the only country to suffer from this kind of hysterical over-reporting. I still vividly remember how the British media managed to fan the flames of chaos in the wake of the disputed election results in Kenya in 2008: I remember because I had a ticket booked to visit my parents who live in Nairobi, who gave me a completely different account of the turn of events by phone and by email. I also remember being in a deserted hotel at the coast talking to the Kenyan barman who complained that the whole coastline was going to be facing a very hungry year after all the tourists had been scared away by the BBC and Sky News, and that the images of the isolated riots in locations several hundred kilometers away that he’d seen on TV were like those form a completely different country.

So the point is, as if one needs reminding, take with a pinch of salt whatever you read in the papers, hear on the newspaper or read. You’re more likely to get a more accurate picture from people out there through Twitter or Facebook.

Which leads me on to the latest uploads from Ian Thomas Ash, showing us over here how it really is, minus the hoopla:


Despite radiation fears, we can still smile in Tokyo, 18 March 2011


A week after the earthquake are Tokyoites still hoarding?, 20 March 2011

Following on from my post of a few days back, the Play For Japan website has been set up to give details of all fundraising events in the UK for the victims of the Tohoku Earthquake. The coming weeks should see a number of arts and music related events taking place in London, such as a handful of gigs by the London-based Aussie electro-techno twosome Loops of Fury and a 1950′s themed Whiskey Tasting and music Extravaganza with Cask Strength and Gary Driscoll (sounds right up my alley!) No doubt there’ll be plenty more soon announced too, but if you too have got any ideas of ways in which you can raise money, then get in touch with Play for Japan at events@playforjapan.com.

Oh yes, and there’s also a Play for Japan Facebook group.

Dates and venues for the above events have yet to be confirmed, which goes someway to show the difficulties in getting hold of a venue at short notice, which is why we are particularly grateful to the Roxy Bar and Screen on Borough High Street (midway between London Bridge and Borough tube stations) for stepping in at such short notice and providing both a bar and a screen for a Special screening of Beyond Anime: CALF Animation for Play for Japan, on Sunday 3 April from 6-9pm.

And likewise, a huge thanks to Nobuaki Doi and the animators at CALF, Atsushi Wada, Kei Oyama, Mirai Mizue and the TOCHKA collective for giving their thumbs up to show their films.

There’s no fixed ticket price. Just donate what you want at the door, and we’ll no doubt find some other way of prising more money from your hands on the night, all of which will go directly to the Japan Society Tohoku Earthquake Relief Fund.

For more details, take a look at the entry on the Play for Japan website, its Facebook event page or the Zipangu Fest website, with the full programme listed here.

So just to reiterate, that’s

Special screening of Beyond Anime: CALF Animation for Play for Japan

Where: The Roxy Bar and Screen, 128-132 Borough High Street, London SE1 1LB (London Bridge and Borough tube stations)

When: Sunday 03 April 2010, 18:00 – 21:00.

I’ll try and keep people up to speed on other Play for Japan events too either via this website or Twitter.

Finally, I wanted to end with Ian Thomas Ash’s third and fourth video documents of life in Tokyo in the wake of the quake, much of it concerned, as we all are, with the ominous spectre of the Fukushima nuclear power plant.


After earthquake and tsunami in Japan, anyone for shopping?, uploaded 16 March 2011


Radiation Levels in Tokyo Warrant Fear?, uploaded 17 March 2011

Click here to donate to Japan Society UK's earthquake appeal

For various reasons, I’ve felt oddly uncomfortable posting about the ongoing tragedy in Japan following the major earthquake that hit last Friday. It seemed slightly inappropriate to start conjecturing about what was going on as the BBC news struggled over the following days to come to terms with the scale of the disaster, and I figured that there were plenty of sources for information elsewhere for those interested, rather than me posting secondhand links here from the UK (I particularly don’t want to contribute to any further panic over the Fukushima nuclear power station situation). The other thing is that it takes me so long to update this website, and I’m assuming a good number of my readers will already be signed up to the Zipangu Fest Facebook page, where a lot of the information I am now going to put here has already appeared. But really it was just a case of watching and waiting for enough information to come through to get my head around things.

I have a fair number of friends and people I deal with on a regular basis who are based in Tokyo, and I’ve been kept up to speed with the situation there both via Facebook posts, Twitter and emails. My heart goes out to them and all their loved ones. But there are few words I can find to express my feelings about the scenes of devastation in the Northeast of the island, other than express my utmost sympathy for all those affected.

The most important thing I want to do first of all is post details of how you can help by making a donation to help those effected. A number of other blogs and websites devoted to Japanese film or culture have linked to the Japan Society New York’s homepage, but as I’m based in London and assuming that a fair number of these blog readers are too, it seemed more fitting to instead link to this appeal from the Japan Society UK. Please give generously to help out those caught up in the senseless tragedy by clicking on the image at the top of this post.

The TOCHKA animators doing their bit with the PIKAPIKA project

Another way you can help is to participate in the PIKAPIKA project, an initiative of the two animators collectively known as TOCHKA whose work we screened at Zipangu Fest last year as part of the CALF animation programme, and you’ll no doubt no all about CALF if you’re a regular reader here. The full details of how to spread a little light and a message of hope to those areas currently without electricity can be found here on the TOCHKA website, but I’ll summarise the basics of their messages below:

At 14:46 (Japan Time) March 11th 2011, a massive scale earthquake of magnitude 9.0 occurred on the pacific coast along from Sanriku to Ibaraki coast.

Rolling blackouts begin on Monday, March 14th in the eastern part of Japan.

We are thinking of sending pen light messages to those who are in the affected areas with still no electricity with Co-director Kosai Sekine.

The messages will be written with light on the fly in the dark and will be put together as a slide show and into one music video. The song is going to be “KIMIDEITE BUJIDEITE(Stay as you are, stay safe)” by Yoko Kanno.

If you happen to have a long exposure capable camera and a pen light/flash light. Could you write a message in two or three pika pika images and send them to tochka.jp@gmail.com?


We expect to receive as many messages as possible and send them all out to people in the affected areas up in northern part of Japan.

Thank you so much for your cooperation,in advance.

TOCHKA (Takeshi NAGATA & Kazue MONNO)

And finally, I wanted to share with you a number of reports from a couple of people I know who were out in Japan when the earthquake occurred. Firstly, good friend and one of the top scholars involved in Japanese cinema, Aaron Gerow, has posted an account on his Tangemania website of what happened in the wake of the earthquake hitting while he was having lunch with the documentary-maker Noriaki Tsuchimoto’s wife Motoko. I know a lot of people in the Kanto area found themselves stranded and forced to walk home when the public transport system shut down, but I must say, the 12-hour trek from Yokohama to Fujisawa undertaken by Motoko Tsuchimoto sounds absolutely horrific, at the best of times.

And finally, Tokyo-based American filmmaker Ian Thomas Ash (director of the 2005 doc about a homeless couple in Bristol, The Ballad of Vicki and Jake), has been documenting what has been going on right outside his door. These are some really interesting short films, and give an insight into how people are coping in Tokyo at the moment. They give another, more human side to the international news reports, and benefit from the fact that Ian can speak Japanese, unlike any of the journalists the BBC have in Japan at the moment. You can follow his updates on his own blog, but here are the first two videos:

  • Tokyo after the earthquake, uploaded by Ian Thomas Ash, 14 March 2011

  • Nuclear power plant worries follow Japan earthquake, uploaded by Ian Thomas Ash, 15 March 2011
  • I’ll soon have some more news about some fundraising events being organised by the Japan Society in London, and other ways you can get involved from over here. Watch this space.