I had a wicked time screening my Dark Dreams in Plastercine programme of some rather gruesome British stop-motion animation to a suitably cowering crowd at the Barbican last year as part of their Animate the World festival, so was delighted to be asked back for this year’s event, running 22-27 May, with another programme of rare delights. I plumped for some early anime this time round, thanks to those kind folks at Zakka Films, so will be giving a talk on the early years of the industry, with a couple of films screened on the way, climaxing in a rare UK airing of that legendary piece of war propaganda from 1942, Momotaro’s Sea Eagle. I’ll also be introducing the paper cut-out animations of Noburo Ofuji and some other rare treats, such as Yoshitaro Kataoka’s wonderful Danemon Ban: The Monster Exterminator (1935). I’m really looking forward to it!

Yoshitaro Kataoka’s haunting Danemon Ban: The Monster Exterminator (1935)

Yoshitaro Kataoka’s haunting Danemon Ban: The Monster Exterminator (1935)

There’s plenty of other goodies during the week too. Helen McCarthy will be there to introduce a Japanimation double bill of Summer Wars and Dante’s Inferno the day before, on the 25 May, to carry on the Japanese theme. Outside of the Japanese stuff though, there’s a special focus on Czech animator Karel Zeman with screenings of his Invention for Destruction (1958) and The Adventures of Baron Munchausen (1961), a chance to catch Piaxar’s UP in 3D again, if you missed it first time round, and a host of other interesting-looking shorts and features. Move over Mickey!

Karel Zeman's surreal Invention for Destruction (1958)

Karel Zeman's surreal Invention for Destruction (1958)

What with the upcoming screening of Wakamatsu Pro’s The Red Army / PFLP: Declaration of World War as part of the London Palestinian Film Festival on 4 May, and Ladislas Starewitch’s bewildering piece of dead insect-animation The Cameraman’s Revenge (1912) as part of the ongoing Silent Film & Live Music series on 9 May (you’ve got a real treat in store if you’ve never seen this – it’s unbelievable!), it’s a good reminder to check out the Barbican’s programme a lot more often – the tickets are pretty reasonable if you’re a member, and they show some truly amazing stuff.

Ladislas Starewitch’s The Cameraman’s Revenge (1912) - you won't have seen anything like it.

Ladislas Starewitch’s The Cameraman’s Revenge (1912) - you won't have seen anything like it.

Anyway, here are some more details about my special night from the Barbican Website:

The Origins of Anime (12A)

Cinema 1, 26 May 2010, 18.30.

Japanese film specialist Jasper Sharp explores the origins of anime, with an exclusive selection of influential pre-war animations.

Tickets: Standard £7.50 online (£9.50 full price); Barbican Members £6.50 online (£7.50 full price); Concessions £7.50.

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2 replies to this post
  • eric 27 April 2010  14:29 1

    It’s fantastic that this work is being shown–Ofuji’s animation completely blew me away when I first saw it. The NFC in London has examples of his paper dolls and sets (along with work by other early animators) on display, and I was amazed by the variety of his work… The South Park guys should be paying royalties to his family!

  • Jasper 28 April 2010  10:01 2

    Cheers Eric. I’m a huge fan of Ofuji’s stuff myself. I just wish there was more available. I’d especially like to see the later films, when he was using coloured cellophane. Don’t you mean the NFC in Tokyo, not London? Yep, I’ve seen that display too. Really good stuff.

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