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	<title>Comments on: Eureka, we’ve got it! The longest version of Metropolis to date and other Lang stories&#8230;</title>
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	<description>writer &#38; film curator</description>
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		<title>By: Coffin Jon</title>
		<link>http://jaspersharp.com/blog/news/2010/07/metropolis/comment-page-1/#comment-2494</link>
		<dc:creator>Coffin Jon</dc:creator>
		<pubDate>Mon, 02 Aug 2010 17:31:28 +0000</pubDate>
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		<description>Metropolis is playing here in San Francisco next Friday.  Excited to see it.</description>
		<content:encoded><![CDATA[<p>Metropolis is playing here in San Francisco next Friday.  Excited to see it.</p>
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		<title>By: Jasper</title>
		<link>http://jaspersharp.com/blog/news/2010/07/metropolis/comment-page-1/#comment-2492</link>
		<dc:creator>Jasper</dc:creator>
		<pubDate>Tue, 27 Jul 2010 11:15:15 +0000</pubDate>
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		<description>Woman in the Moon is great. I really want to go and explore the other films like Spione too, and I&#039;ve never seen Die Nibelungen (1924) either. 
I&#039;ve not seen enough of the Shanghai films from this period to really pass comment, but I will definitely stand by my comment that &quot;during the silent era no studio ever bridged the gap between art and commerce as successfully as the Berlin-based UFA&quot; - just think of the scale of films like Metropolis and Die Nibelungen. I don&#039;t know, I just love the German aesthetic from this time, even the films of Leni Riefenstahl. They&#039;re just so powerful and atmospheric.</description>
		<content:encoded><![CDATA[<p>Woman in the Moon is great. I really want to go and explore the other films like Spione too, and I&#8217;ve never seen Die Nibelungen (1924) either.<br />
I&#8217;ve not seen enough of the Shanghai films from this period to really pass comment, but I will definitely stand by my comment that &#8220;during the silent era no studio ever bridged the gap between art and commerce as successfully as the Berlin-based UFA&#8221; &#8211; just think of the scale of films like Metropolis and Die Nibelungen. I don&#8217;t know, I just love the German aesthetic from this time, even the films of Leni Riefenstahl. They&#8217;re just so powerful and atmospheric.</p>
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		<title>By: Dean Bowman</title>
		<link>http://jaspersharp.com/blog/news/2010/07/metropolis/comment-page-1/#comment-2487</link>
		<dc:creator>Dean Bowman</dc:creator>
		<pubDate>Mon, 26 Jul 2010 15:40:58 +0000</pubDate>
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		<description>Good to see they&#039;ve found the majority of the extra footage now. The version Eureka released before was the most complete at the time but still had a lot of intertitles explaining entire scenes that were no longer there. Woman in the Moon looks great too, will have to check it out.

I&#039;d personally say the Shanghai film industry (from what i&#039;ve seen) possibly edged it over Germany though.</description>
		<content:encoded><![CDATA[<p>Good to see they&#8217;ve found the majority of the extra footage now. The version Eureka released before was the most complete at the time but still had a lot of intertitles explaining entire scenes that were no longer there. Woman in the Moon looks great too, will have to check it out.</p>
<p>I&#8217;d personally say the Shanghai film industry (from what i&#8217;ve seen) possibly edged it over Germany though.</p>
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