There’s been a whole load of film-related news in our buzzing capital these past few days. Admittedly, the announcement of the London Film Festival programme yesterday slightly overshadowed my own announcement of the dates for Zipangu Fest (18-24 November at the ICA, if you can’t be bothered to scroll down a bit). Of course, we haven’t actually made  public any of our programming choices yet, which we’re keeping a closely guarded secret until nearer the time, but you might hear me let a few things slip out if you’re at the Female Prisoner #701 Triple Bill at the Rio Cinema in Dalston on 24 September. The event starts at 11pm and carries on through to daybreak, and I’ve been kindly asked by the organisers, Cigarette Burns Cinema, to stand up between screenings and deliver some patter about Meiko Kaji, Toei Pinky Violence, and other related topics. Perhaps I’ll crack under the pressure of sleep deprivation and end up revealing the whole programme…

Anyway, my presence aside, this is going to be a wonderful night. If you’ve not seen any of the Female Prisoner #701 films (or Female Convict Scorpion, or whatever other titles you like to refer to them under), then you’re in for a rare treat – these aren’t your average Woman in Prison bits of exploitation fluff, but hypnotic, frequently surreal and dreamlike action titles with a logical progression between each of the various instalments and a captivating performance by the cool iconic beauty Meiko Kaji. I’ve not seen them for a while myself, and it’s going to be fab watching them on the big screen all at once.

The films are being presented in association with the Scala Forever season currently running across a number of venues this Summer (although chiefly The Roxy Bar and Screen) in memory of the legendary repertory cinema up in Kings Cross in which so many of us had our viewing habits formed. In fact, I’m just looking at the programme and I notice that the ICA are showing my favourite Imamura film, The Ballad of Narayama, on the 28th and 29th of this month, which, as I wrote in the intro to Behind the Pink Curtain, proved a seminal experience when I first saw it on a Double Bill at the Scala with Koji Wakamatsu’s Violated Angels back in 1990.

Check out the Female Prisoner all-nighter Facebook page here and more info on this and Cigarette Burns’ other activites can be found here.