Jasper Sharp : Barbican

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So here it is, the first officially announcement on this website of Zipangu Fest, which will be kicking off with a pre-emptive double strike of Big Tits Zombie 3D and Robo Geisha on 29th October at the Barbican. The first of these will be shown in eye-popping 3D, accompanied by the UK premiere of the short film Augmented City by award‐winning director Keiichi Matsuda.

The first UK‐wide festival devoted to Japanese Film, Zipangu Fest will introduce works new and old, previously unseen by mainstream UK film audiences, to demonstrate the many identities of Japan as depicted by some of the country’s most exciting and revered talents. For its main event this year, Zipangu Fest will be holding around 15 screenings and other related events at venues across London’s vibrant East End, allowing us to keep ticket prices down to less than half those charged in the West End. Cinema venues include the Barbican, Genesis Cinema in Whitechapel, Café 1001 in Brick Lane and the Working Man’s Club in Bethnal Green. The main body of film events will be held in London from 23rd to 28th November 2010, with regional events currently arranged in Bristol, Leeds and Coventry, and more to be confirmed.

AV starlet Sora Aoi in Big Tits Zombie, part of the inaugural Zipangu Fest

The Japanese Halloween Schlockfest Double Bill, has been organised by Zipangu Fest as part of number of wider seasons of Japanese films running at the Barbican throughout October and November, which include girlsworld: women in contemporary japanese cinema, a small retrospective of films by Kenji Mizoguchi, and later in November, retrospectives of Kitano and Akira Kurosawa. I will be there to introduce both titles on this Halloween double bill, during which Zipangu Fest will also announce its full line-up for the main festival, running 23-28 November. Prior to this, there’s going to be a number of other smaller events in various places across the UK, including screenings of Hiroshi Shimizu’s Children of the Beehive in Leeds, as announced in my previous post, and some programmes of 1960s experimental films, about which details will be announced in the coming weeks.

BIG TITS ZOMBIE (KYONYÛ DRAGON) 3D, directed by Takao Nakano and starring Japanese adult video superstar Sora Aoi, is a tongue‐in‐cheek take on the Western/zombie genre Japanese‐style, with bored exotic dancers unwittingly unleashing an army of the undead and having to battle them with nothing but samurai swords, chainsaws and wasabi paste, in a live action film adaptation of Rei Mikamoto’s cult manga. Peppered with 3D set pieces, KYONYÛ DRAGON (BIG TITS ZOMBIE) 3D is distributed in the UK by Terracotta Distribution.

Another of Zipangu Fest's Halloween Schlockers, Robo Geisha, directed by Noboru Iguchi, with special effects by Yoshihiro Nishimura

From the team that brought us The Machine Girl, ROBOGEISHA is unabashedly over‐the‐top and deliriously inventive. A megalomaniac Japanese businessman and his son recruit a vicious gang of surgically‐enhanced Geisha assassins. Directed by Noboru Iguchi, with special effects supervisor Nishimura Yoshihiro, and featuring buildings that bleed, a Giant Castle Robot, and breast milk from hell, it’s a wonderfully insane mix that will have you laughing out loud. ROBOGEISHA is distributed in the UK by Cine Asia.

The full press release can be downloaded from the Zipangu Fest website.

Event: The Origins of Anime

Where: Cinema 1, Barbican Centre, London

When: 26 May 2010, 6.30pm.

As part of the Barbican’s Animate the World festival (22-27 May), Japanese film specialist Jasper Sharp explores the origins of anime, with an exclusive selection of influential pre-war animations. Anime fans should also note that the Barbican is also running Helen McCarthy’s Japanimation season, with a double bill of Summer Wars and Dante’s Inferno on 25 May, also included as part of the festival.


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I had a wicked time screening my Dark Dreams in Plastercine programme of some rather gruesome British stop-motion animation to a suitably cowering crowd at the Barbican last year as part of their Animate the World festival, so was delighted to be asked back for this year’s event, running 22-27 May, with another programme of rare delights. I plumped for some early anime this time round, thanks to those kind folks at Zakka Films, so will be giving a talk on the early years of the industry, with a couple of films screened on the way, climaxing in a rare UK airing of that legendary piece of war propaganda from 1942, Momotaro’s Sea Eagle. I’ll also be introducing the paper cut-out animations of Noburo Ofuji and some other rare treats, such as Yoshitaro Kataoka’s wonderful Danemon Ban: The Monster Exterminator (1935). I’m really looking forward to it!

Yoshitaro Kataoka’s haunting Danemon Ban: The Monster Exterminator (1935)

Yoshitaro Kataoka’s haunting Danemon Ban: The Monster Exterminator (1935)

There’s plenty of other goodies during the week too. Helen McCarthy will be there to introduce a Japanimation double bill of Summer Wars and Dante’s Inferno the day before, on the 25 May, to carry on the Japanese theme. Outside of the Japanese stuff though, there’s a special focus on Czech animator Karel Zeman with screenings of his Invention for Destruction (1958) and The Adventures of Baron Munchausen (1961), a chance to catch Piaxar’s UP in 3D again, if you missed it first time round, and a host of other interesting-looking shorts and features. Move over Mickey!

Karel Zeman's surreal Invention for Destruction (1958)

Karel Zeman's surreal Invention for Destruction (1958)

What with the upcoming screening of Wakamatsu Pro’s The Red Army / PFLP: Declaration of World War as part of the London Palestinian Film Festival on 4 May, and Ladislas Starewitch’s bewildering piece of dead insect-animation The Cameraman’s Revenge (1912) as part of the ongoing Silent Film & Live Music series on 9 May (you’ve got a real treat in store if you’ve never seen this – it’s unbelievable!), it’s a good reminder to check out the Barbican’s programme a lot more often – the tickets are pretty reasonable if you’re a member, and they show some truly amazing stuff.

Ladislas Starewitch’s The Cameraman’s Revenge (1912) - you won't have seen anything like it.

Ladislas Starewitch’s The Cameraman’s Revenge (1912) - you won't have seen anything like it.

Anyway, here are some more details about my special night from the Barbican Website:

The Origins of Anime (12A)

Cinema 1, 26 May 2010, 18.30.

Japanese film specialist Jasper Sharp explores the origins of anime, with an exclusive selection of influential pre-war animations.

Tickets: Standard £7.50 online (£9.50 full price); Barbican Members £6.50 online (£7.50 full price); Concessions £7.50.