Jasper Sharp : Kanzeon

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I’ve been back from Tallinn for about a week now, and am still basking in the memories of an absolutely wonderful long weekend at the first EVA – East via Asia! Japanese film festival in the city’s majestic-looking Kinomaja cinema. You don’t need to scroll too far down this page for some background on this event. Basically I worked on the programme while the wonderful organisers Helen Merila and Piret Mägi were at the coal face, sorting out the venue, the publicity, the concerts, the catering… basically all the difficult stuff! And this meant a pretty relaxing but thoroughly enjoyable couple of days while the event unfolded, a long weekend blessed with bright blue skies and sunshine away from a damp and drizzly London.

Against the beautiful backdrop of Tallinn

This was my first time in Tallinn, and I absolutely fell head-over-heals with the city. It must be one of Europe’s best kept secrets, and I hesitate to sing its praises too loudly lest it become totally overwhelmed by tourists. It’s already suffering to some extent from the usual curse of jeering drunken idiots on organised stag parties that Britain seems to have a predilection for inflicting on Eastern Europe, something I’d already just encountered in Wroclaw the month before. Fortunately these are largely confined to the overpriced tourist and titty bars in the Old Town area, and it’s not difficult to wander off the beaten track and find quieter spaces to explore.

Cultural rivals - the Stalker Film Festival was going on simultaneously in the 2011 European Capital of Culture where parts of the film were shot

Tallinn is Europe’s 2011 City of Culture, and there were a whole host of events going on over the weekend that threatened to overshadow EVA. One of these was the Stalker film festival celebrating Tarkovsky’s classic Soviet sci-fi, parts of which were shot in the city, and featuring a number of examples of films of the type that it has now become acceptable to refer to as “slow cinema” – Bela Tarr, Sergei Paradjanov, you know the type. Luckily, it didn’t seem to draw too many, if any, potential viewers away from our festival, which was amazingly well-attended and well-received. Nothing is too far apart in Tallinn, it seems, and on one of the mornings before the screenings I managed to wander down to the film’s locations, and onwards down to the dockland/beach area, along with my old friend Yoshihiro Ito, whose Vortex and Others surreal shorts programme we screened. The last time we’d met was about 18 months ago in Tokyo, and before that, he was there with his films and disarming grin at the first ever Shinsedai, one of the first ever events I documented on this website in this post from 2009.

Drunken yobs in Tallinn: Saturday night ended in tequila, with Yolanda, Tim Grabham and Yoshihiro Ito, and me staying sensibly behind the camera

Another guest from rather less further afield (i.e. London) was Tim Grabham, one of the directors of the beautiful documentary KanZeOn, accompanied by his charming companion Yolanda. While this film was included in the programme for this year’s Shinsedai, this was the first time Tim had actually been present at one of its screenings, which was effectively the European premiere. It went well, incredibly well… as did Yoshihiro’s films, and that night, we celebrated with an extended tequila session before winding up down at the port area again, at an open air gig by local punk outfit Chungin & The Strap-On Faggots, one of the bands at the festival’s opening night punk concert, along with J.M.K.E., local legends with a fanbase that stretches as far as Finland. Apparently punk is to the Estonians what rockerbilly is to the Finns, the ultimate anti-authoritarian musical stance during the twilight of the Soviet era and still going strong – the fact that I managed to catch Chungin & The Strap-On Faggots twice during my brief stay merely highlighted this fact. You can read Tim’s account of his screening and beyond on the KanZeon website.

Again, I’ll end by saying a huge thanks to our wonderful hosts in Tallinn, Helen and Piret. It’s looking like we’re going to do the event again next year, so I can’t wait to head back, who knows… maybe even before the next fest…

So I’m in Estonia at the moment for the first day of East via Asia (at one point known as East by Northeast), the first festival in the country devoted to independent Japanese cinema, jishu eiga and experimental animation. It seems I’m not alone either, as numerous academics who have made Japan their business have also converged on Tallinn for the Japanology conference currently running here – I hope at least some of them make it to our screenings.

Best laid plans, and all that, but I had been hoping to give readers of this website the heads-up on the festival some time beforehand, but somehow, what with my being wrapped up in New Horizons in Wroclaw, Poland, at the end of last month and numerous other things since, the best I could manage was a few tweets. Frustrating for those who might have wished to combine a trip to this beautiful city with some cutting edge films from Japan, but I know the team on the ground here, Helen Merila and Piret Mägi, have been pretty active in spreading the news locally, so I’ve no fears that local audiences won’t come.

The gorgeous facade of Tallinn's Kinomaja, host to the first ever East via Asia

The festival is taking place in the Kinomaja on Tallinn’s Uus tn 3 – one of the most beautiful cinemas I’ve ever shown anything in. If the programme looks familiar, that’s because I was invited to curate by Helen after she saw the line-up for last year’s Zipangu Fest in London. Most of the titles we’re screening here have screened either in Toronto as part of Shinsedai, or at Zipangu Fest, and those that haven’t played in London yet might well give you a bit of a clue as to what to expect for the second Zipangu Fest, which I can now reveal will be happening 17-24 November at the Institute of Contemporary Arts (ICA) – only a bit of a clue however, because we have a whole lot more planned which I personally can’t wait to announce.

I’ll be joined out here tomorrow by Yoshihiro Ito, director of the marvellously surreal Vortex and Others shorts programme which we screened at the first ever Shinsedai back in 2009 and Tim Grabham, one of the two directors of the amazing new documentary on the role of sound in Japanese Buddhism, KanZeOn. Before then, I’ve got an evening of Estonian punk to savour for the Opening Night party at the Kinomaja!

Anyway, I’ll repeat it down here for those who might not have been paying attention, this year Zipangu Fest will take place 17-24 November at the Institute of Contemporary Arts (ICA) in London. If you’re interested in signing up for our press releases or getting on the general mailing list, visit Zipangu Fest’s press section. You can also find us on Facebook and Twitter. Hope to see you in November!

Been busy, busy, busy recently, which is why I’ve been so remiss about posting up details about this year’s Shinsedai New Generation Japanese Film Festival, which I’ve curated with Chris Magee of the Toronto J-Film Pow-wow. For full details of the programme, let me first of all direct you to the new Shinsedai homepage, which for this year has moved URL to http://shinsedai-toronto.com/.

Neil Cantwell and Tim Grabham's remarkable new documentary Kanzeon

There’s another great line-up at the Japanese Canadian Cultural Centre this July, high points of which include Catcher On the Shore, the directorial debut of 14-year-old Okinawan boy, Ryugo Nakamura (yes, you did read that correctly: 14-year-old!!!), a rare screening of Torajiro Saito’s 1935 Shochiku Kamada comedy Kid’s Commotion starring “the Japanese Charlie Chaplin” Shigeru Ogura and presented with a live Foley sound effects accompaniment and demonstration by Goto Koyama (this is going to be amazing!), and the world premiere of Kanzeon, a stunning new British documentary about Buddhism and music (actually it’s about a whole lot more than that, but it’s sort of difficult to explain – check out the official website). Oh yes, and there’s some other old favourites we screened in London as part of last year’s Zipangu Fest, including the CALF animation programme and Mean-eater Mountain.

Catcher on the Shore, by 14-year-old filmmaking prodigy Ryugo Nakamura

We’re also closing the festival with Yuya Ishii’s Sawako Decides, one of the titles that did the rounds of the UK as part of the Japan Foundation UK’s touring programme earlier this year. If you didn’t catch it in Britain, or if you want to see it again, you’ll be happy to hear that it’s been picked up for distribution byThird Window Films, and will be out in theatres from 8 July, with a DVD to follow. Anyway, I’m not going to go into too much detail about the programme here, other than to cut and paste some of the highlights from Chris’ page, but suffice it to say, its another goodie for Torontonians, so if you’re in the city at the end of July, don’t miss…

I unfortunately won’t be at Shinsedai this year due to scheduling conflicts with another very special film event that is occurring on the other side of the world (well, almost…) in Poland, which I’ll do my utmost to shed some light on before the week is out.

In the meantime, here’s the lowdown on this year’s Shinsedai:

OPENING NIGHT FILM: Hospitalité (dir. Koji Fukuda, 2010)

A sly, humorous and insightful satire of contemporary a Japanese family and the secrets they keep from each other that begins as an homage to the classic domestic dramas of Yasujiro Ozu, but ends up in the comic territory of Tampopo director Juzo Itami.

Sly satire from Koji Fukuda, Hospitalité

HORROR FEATURE: Shirome (dir. Koji Shiraishi, 2010)

Koji Shiraishi, director of “Occult” and the controversial “Grotesque”, revitalizes the J-Horror genre with a mockumentary that combines the low-budget scares of The Blair Witch Project and American Idol instant stardom into an entirely unique and chilling experience.

Blair Witch Project meets The X-Factor, in Koji Shiraishi's Shirome

CENTERPIECE SCREENING: Wandering Home (dir. Yoichi Higashi, 2010)

Tadanobu Asano gives a career defining performance as real-life photojournalist Yutaka Kamoshida as he struggles to overcome alcoholism. Far from being a journey into the underbelly of addiction “Wandering Home” is a life-affirming drama filled with love, gentle humour and reconciliation.

Tadanobu Asano stars in Wandering Home

FAMILY FEATURE: Azemichi Road (dir. Fumie Nishikawa, 2009)

“Azemichi Road” takes the classic underdog genre and gives it new life. Yuki, a young deaf girl, takes a journey from silence to acceptance through her involvement in an amateur dance troupe. Film-maker Fumie Nishikawa sets her feel-good kids film in the gorgeous landscapes of Japan’s countryside.

Fun for all the family, Azemichi Road

SILENT CLASSIC: Kid Commotion (dir. Torajiro Saito, 1935)

The Shinsedai Cinema Festival is very proud to present a special screening of Torajiro Saito’s “Kid Commotion”, starring Japan’s answer to Charlie Chaplin Shigeru Ogura as a harried father, with the accompaniment of live sound effects provided by foley artist Goro Koyama. Audiences will not only have a chance to see a very rare and very funny silent film, but will have the opportunity to learn about the art of movie sound effects.

Vintage Japanese slapstick, Kid's Commotion, presented with a very unusual accompaniment!

CLOSING NIGHT FILM: Sawako Decides (dir. Yuya Ishii, 2010)

Director Yuya Ishii’s return to the Shinsedai Cinema Festival, “Sawako Decides” is the hilarious story of a young woman (actress Hikari Mistushima) who returns to her home town to care for her ailing father and to straighten out her life after a series of low-paying jobs and less than ideal boyfriends.

Soon to go on theatrical release in the UK, Sawako Decides is Shinsedai's Closing Night Screening