Jasper Sharp : NN891102

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Event: Zipangu Fest @ The Star and Shadow Cinema

Where: The Star and Shadow Cinema, Stepney Bank, Newcastle Upon Tyne  NE1 2NP
Tel: 0191 261 0066

When: Thurs 7 – Sun 17 April 2011

The Star and Shadow Cinema is very excited to be screening some excellent programmes from Zipangu Fest, the first UK-wide Japanese Film Festival, with programmes very rarely seen in the UK, from mesmerising new animation to beautiful live action feature films.

Newcastle's Star and Shadow Cinema

Thursday 7th April

7:30 p.m. – Beyond Anime: CALF Animation + TALK

A very rare screening of no less than 13 short animation programmes from the new CALF label, which distributes work from some of the most innovative independent Japanese filmmakers + Jasper Sharp, director of London Japanese Film Festival and specialist of Japanese cinema, will introduce the night!

Sunday 10th April

7:30 p.m. – NN-891102 + shorts

Unforgettable indie classic about a man struggling to overcome the trauma of the A-bomb through sound.

Thursday 14th April

7:30 p.m. -  Ero Guro Anime Night

This is a selection of 4 nightmarish short animation films, from underground filmmakers Hiroshi Harada and Naoyuki Niiya. The films sit within a hybridised East-West freakshow tradition, and promise a night you won’t soon forget!

Sunday 17th April

7:30 p.m. – Footed Tadpoles + shorts

A quirky coming-of-age comedy about first love in junior high school.

Season curated by Jasper Sharp, Director of Zipangu Fest, and who will come over to introduce the night on 7 April!


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It seems I managed to skip posting anything here in February. Oh well, it was a busy month, not least due to the East Winds: Third Window Festival (see previous post) in Coventry and the related duties of interviewing Confessions of a Dog director Gen Takahashi onstage for his mid-month ICA screening in preparation for Third Window Film’s upcoming DVD release, which is currently going damn cheap on Amazon UK (especially if you buy it alongside the DVD of the same company’s Confessions, currently on theatrical release and doing great biz thanks to Claudia Winkelman naming it the must-see release of its week on BBC’s Film 2011).

Hand Soap by Kei Oyama, one of the visionary animators represented by the CALF label

For now however, I just wanted to return to CALF, the independent animation specialist DVD label in Japan whose various creative agents we showcased at Zipangu Fest last November. Well, first up is some good news for those in the Northeast of England – this programme is heading up to Newcastle’s Star and Shadow Cinema on Thursday 7 April, with me in tow to introduce it. It’s the first of a series of four slots from last year’s Zipangu Fest, which ends on Sunday 17 April with Tomoya Maeno’s charming coming-of-age comedy Footed Tadpoles. The other films that will play over the following weeks are Go Shibata’s NN-891102 (described by subtitledonline.com as “edgy, gracefully apocalyptic… approached the realms of the visionary)” and on 14 April, the various films in the Ero Guro Anime Night, including Naoyuki Niiya’s wonderfully macabre Maneater Mountain and Hiroshi Harada’s infamous Midori: The Girl in the Freakshow. You can find out more about these films on the Zipangu Fest and Star and Shadow websites.

Hiroshi Harada's notorious Midori: The Girl in the Freakshow

The next bit of CALF-related news is that Viennese filmmaker Stefan Nutz is is currently putting together a documentary about Japanese indie, art and experimental animation, which sounds right up my street. The film, which features interviews with among others CALF’s Nobuaki Doi, Mirai Mizue, TOCHKA, Atsushi Wada and Kei Oyama as well as the two directors of the films in the aforementioned Ero Guro programme, doesn’t seem to have a title yet, and it may be a while before it is completed, but you can check its progress and show your support by checking out its website.

I’ve already shown my appreciation for the work of Mirai Mizue in an earlier post, but I just thought I’d flag up a few more bits of related news about this maestro of abstract animation.  Firstly, Mizue is one of the featured animators at this year’s Flatpack Festival held in Birmingham later this month, 23-27 March. Secondly, his 2007 work Lost Utopia is one of the titles nominated on the website for the International Festival of Animated Film Stuttgart 2011 – so if you like his film, then you can show your support by voting for it online. What do you mean you’ve not seen it? It’s here on Youtube!

  • And finally, Mizue has his own Vimeo channel, which features slimmed down versions of his more epic films, and a lot of his works that aren’t included on the CALF DVD, including the Timbre series, of 26 short films running from Timbre A to Timbre Z, uploaded at a rate of one a day earlier this year. Also recently posted on Youtube is the summation of this series, A Long Day of Timbre. A busy man!

    Oh, and I believe I’ve mentioned it before, but he has his own website too.

    Timbre Z, the last instalment of Mirai Mizue's hypnotic Timbre series, all available to watch on Vimeo

    The CALF crew are all going to be in Frankfurt this April for the eleventh Nippon Connection, including Mizue’s label-mates TOCHKA, who I will end by saying a little more about. Few of the artists on the CALF label stretch definitions of animation quite as far as this duo, consisting of Takeshi Nagata and Kazue Monno, whose works are realised using a technique they call PiKA PiKA, which is a combination of long exposure and stop motion animation techniques. There’s an interactive element to all of this too, which makes their appearance at Nippon Connection all the more exciting, as audience will have the opportunity to participate in a workshop, waving their glow-sticks to create their own animation. The TOCHKA DVD is available on the CALF website along with the other animators, and yes, they’ve also got their own website.

    Frozen in time, a still from one of TOCHKA's PiKA PiKA "lightning doodle" projects, coming to Nippon Connection this April

    Rather than me reproduce their press release in full myself, you can read all about the forthcoming Nippon Connection on the website of Jason Gray. As well as the CALF focus, highlights include an exhaustive retrospective of current darling of Japanese cinema, Sion Sono, the Love Exposure director whom I’ve written about many times on this website, and whose Cold Fish is going to be the next title up for release in the UK from Third Window, which brings us sort of full circle I guess….

    shinsedai_lineup

    If you’re in Toronto this July, my God you’re in for a treat. If you’re not in Toronto, then I suggest you make an effort to be so, if only because on the weekend of the 22-25th is the second Shinsedai Cinema Festival, one of the biggest, if not the biggest, showcases of recent Japanese films in North America.

    I’ve been working on the line-up with my festival co-director/co-programmer Chris Magee of the Toronto J-Film Pow-wow for the past 6 months now, and we’re both really proud with what we’ve got on show this year.

    I posted details about the first batch of titles to be announced a few weeks ago (see here). Now the full programme has been published, and you can find all the information you should need up on the Shinsedai website. There’s also a Facebook group and you can get updates and news by signing up to our Twitter.

    I could rave on about the films for ages, and indeed I probably will over the coming weeks. For now however, I’m going to post up Chris Magee’s info about the festival, and please please please, if this appeals to you, can you pass the info on as far and wide as possible? Thanks!

    Anyway, over to you Chris…

    The anticipation has been building for the past few weeks, but now we are very proud to announce the full line-up and screening schedule for the 2nd annual SHINSEDAI CINEMA FESTIVAL taking place at the Japanese Canadian Cultural Centre in Toronto. Joining the already announced screenings of Kenji Mizoguchi’s silent classic “The Water Magician” (with live musical accompaniment by Toronto’s Vowls), the Canadian Premiere of Gen Takahashi’s police epic “Confessions of a Dog” and the Toronto Premiere of the ward-winning concert documentary “Live Tape” are:

    KAKERA: A PIECE OF OUR LIFE (Toronto Premiere/ Opening Night Film): Haru (Hikari Mitsushima) is a university student with a less than ideal boyfriend whose life is turned upside down after meeting a young woman named Riko (Eriko Nakamura). the two women fall for each otehr and embark on a rocky and romantic relationship. First time director Momoko Ando goes well beyond tired old lesbian chic with this magical and absurdly comic film. We are pleased to announce that director Momoko Ando will be in attendance at this screening!

    YURIKO’S AROMA (Canadian Premiere/ Closing Night Film): Massage therapist Yuriko (Noriko Eguchi) is a master of scent. She whips up aromatherapy lotions to slather into her clients at her friends massage spa, but Yuriko isn’t prepared when she catches a whiff of the the salon owner’s sweaty 17-year-old soccer-playing nephew Takeshi (Shota Someya) and is immediately overcome with desire… or love… or possibly both in this sexy black comedy by Koya Yoshida.

    Noriko Eguchi in Yuriko's Aroma, directed by Kota Yoshida.

    Noriko Eguchi in Yuriko's Aroma, directed by Kota Yoshida.

    A NORMAL LIFE, PLEASE! (North American Premiere): 37-year-old cement truck driver Nobukazu Kaikura kept up a hellish work schedule during the spring of 2006 – 552 hours in a single month. When Kaikura seeks the protection of a labour union he incurs the wrath of his bosses and 5the thugs they hire to intimidate Kaikura and his family day and night. Tokachi Tsuchiya’s A Normal Life, Please! has won Best Documentary at the 2009 Dubai International Film Festival, and Best Documentary at the 17th annual Raindance Film Festival in London.

    OUR BRIEF ETERNITY (Canadian Premiere): A mysterious virus is infecting the population in Takuya Fukushima’s Our Brief Eternity. Those afflicted suddenly fall into a coma and when they recover they have lost their memories of the person closest and dearest to them. During this epidemic irresponsible playboy Teru (Kouta Kusano) runs into his old girlfriend Mio (Romi), but she doesn’t remember him. Mio has fallen victim to the virus. The two must start their relationship from scratch, but Teru’s case of cold feet causes him to make a drastic decision – to risk infection and his memory.

    Takuya Fukushima's Our Brief Eternity

    Takuya Fukushima's Our Brief Eternity

    LOCKED OUT (Canadian Premiere): Six-year-old Ketia (Takeru Shimada) gets lost in a mall parking lot and accidentally gets into the car of a young man named Hiroshi (Kiichi Sonobe). Hiroshi has a bloody pick axe in the trunk of his car and is haunted by a violent, demonic doppelgänger, but is he what he appears to be – a psychotic killer, or is there a different story to be told? Yasunobu Takahashi’s Locked Out is equal parts edge-of-your-seat psychological thriller and life affirming road movie.

    OFF HIGHWAY 20 (Canadian Premiere): Route 20 is a highway that runs west out of Tokyo as far Shiojiri in Nagano. About 130 kilometres from the highway’s starting point is Kofu City. This is the birth place of director Katsuya Tomita and his film Off Highway 20 shows us a side of Japan that many people never see one populated by yakuza, small time street thugs who huff solvents, gambling addicts and speed freaks. Gritty and blackly comic like Jim Jarmusch crossed with Trainspotting, Off Highway 20 takes us on a walk on the wild side of contemporary Japan.

    Katsuya Tomita's chav-tastic Off Highway 20.

    Katsuya Tomita's chav-tastic Off Highway 20.

    KIHACHIRO KAWAMOTO: JAPAN’S MASTER PUPPETEER: Born in 1925 in Tokyo Kihachiro Kawamoto orginally wanted to pursue a career in architecture while taking up doll-making as a hobby, but in 1950 he embarked on what is now a legendary career in animation. Kawamoto has spent the last five plus decades creating exquisite stop-motion puppet animation that has won him praise worldwide. In a special programme curated by Jasper Sharp audiences will get to see a sampling of some of Kawamoto’s best known short films including 1970′s The Demon, 1973′s The Trip, 1976′s Dojoji Temple, 1979′s House of Flame, 1988′s To Shoot Without Shooting and 1990′s Briar-Rose, or the Sleeping Beauty.

    House of Flame, part of the programme of Kihachiro Kawamoto's haunting stop motion puppet animations.

    House of Flame, part of the programme of Kihachiro Kawamoto's haunting stop motion puppet animations.

    OH! OTSUKA DRUGSTORE: (Canadian Premiere): An off kilter comedy about a curmudgeonly woman who runs a drugstore and one of her regular customers – young high school girl she takes under her wing. It turns out this girl has a crush on a certain boy but is too shy to make the leap and speak to him. Can the drugstore owner help her young friend find true love? And if so will her crazy methods actually work? Romantic comedy meets bizarre friendship tale, and all set to music by Japanese pop sensation AKB48.

    DOME ANIMATION SPECIAL: (Presented in partnership with Nippon Connection) Tokyo’s Image Forum is the most respected producer of experimental film, video and animation in Japan, as well as one of the most important sources for experimental visual culture in the world. DOME Animation collects 15 short animated films by 15 of Image Forum’s most promising young animators.

    NN-891102 (Toronto Premiere): A survivor of the bombing of Nagasaki has in his possession an astounding document of that tragic day –the sound of the “Fat Man” atomic bomb detonating on August 9th, 1945 at 11:02AM. At first he is appalled by this recording, but as time goes by he becomes obsessed with recreating this terrifying sound… a process that will jeopardize his sanity and his life. The debut feature film by Late Bloomer and Doman Seman director Osaka’s Go Shibata presents a gripping portrait of grief, memory, madness, and dangerous personal obsession.

    NN-891102: Go Shibata's startling debut resurrected.

    NN-891102: Go Shibata's startling debut resurrected.

    If those films aren’t enough to get you excited the Shinsedai Cinema Festival is also proud to announce a great selection of shorts that will be screening with our feature selections: sugarmountain’s zany “Gunman Champion”, Satoshi Nagano’s black comedy “Finishing Touch”, Shoh Kataoka’s sweet look at childhood “Jellyfish Boy”, Reiko Tahara’s experimental short documentary “Remnants”, Kotaru Wajima’s mini-family drama, “Invitation” and Hiroshi Iwanaga’s meditative coming-of-age story “That’s All”.

    Last, but not least is a way to see selected films at Shinsedai 2010 cheaply, or for FREE. As a way to highlight some of the more off-center and experimental Japanese indie films we have created the Jishu Eiga Room. Throughout July 24th and July 25th the following films will be playing continuously starting at 12:00PM so you can sample a little or a lot of work that pushes the boundaries of film.

    DOME ANIMATION SPECIAL

    DIFFERENT CITIES

    OH! OTSUKA DRUGSTORE

    YUKI KAWAMURA TRILOGY

    Access to the Jishu Eiga Room is FREE FOR DELUXE and 5-FILM PASS HOLDERS (entry into the Jishu Eiga Room does not use up one of the five films on the 5-Film Pass), while INDIVIDUAL ENTRY FOR NON-PASS HOLDERS COSTS ONLY $4.00.

    We are also proud to announce our FULL SCREENING SCHEDULE for the 2nd annual Shinsedai Cinema Festival! Visit our website to start planning your festival experience:

    http://shinsedai-fest.com/tag/shinsedai-2010/

    TICKETS AND PASSES will be going on sale for the 2nd annual Shinsedai Cinema Festival this coming WEDNESDAY, JUNE 23rd! See you all at the Japanese Canadian Cultural Centre next month!

    Best,

    Chris MaGee